The YIVO Sound Archive and the Klezmer Revival

Thursday Apr 24, 2025 1:00pm
Lecture

Admission: Free

Registration is required.

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YIVO sound archivist Eléonore Biezunski will tell the story of the Max and Frieda Weinstein Archive of YIVO Sound Recordings in relation to the revitalization of klezmer music since the mid-1970s. The impetus of young folk musicians seeking to reclaim the music of their ancestors, particularly the instrumental genre known as klezmer music, in a general context of “roots movement,” was a major factor in the establishment of the YIVO Sound Archive in the early 1980s. As a sound archivist and Yiddish musician, Biezunski presents the archive not only as a repository of documents, possible sources, but also as a living space – a historical phenomenon in its own right and a dynamic spatialized territory generated by individuals with their own creativity, caught in a web of social and cultural, intellectual and scientific, institutional and artistic contexts. 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.


About the Speaker 

Photo: Ivan Kuzmin

Eléonore Biezunski is an award-winning Parisian singer/violinist/songwriter and scholar now living in NYC. An avid collector of Yiddish music, she has led several projects and has collaborated with a large number of well-known Jewish performers in the US and abroad. Her recordings include Yerushe (IEMJ, 2016) and Zol zayn (2014). Her composition “Tshemodan” was voted Best New Yiddish Song by São Paulo’s 2021 Bubbe Awards. As YIVO’s Sound Archivist since 2016, Eléonore has coordinated the Ruth Rubin Legacy website (ruthrubin.yivo.org). She has a PhD from the École des Hautes Études en Sciences Sociales in Paris and has published several book chapters and articles on the history of Yiddish music and culture and co-edited a reissue of the complete recordings of the French Elesdisc label, 1948-1953 (2015, IEMJ). She is also a team member of the Klezmer Institute and is a recipient of an NYSCA Folk Arts Apprenticeship. She recently published a chapter in The Oxford Handbook of Jewish Music Studies edited by Tina Frühauf, "The YIVO Sound Archive as a Living Space: Archiving and Revitalizing Klezmer."